The stuff I do is literally me. My passion for technology, for the virtuality. I started working on this kind of things one year ago, so I feel the need to improve and express as much as I can. I try to communicate daily what I feel and what I see in a way that's aesthetically pleasing. I can say this work is principally focused on doing and improving myself from a creative point of view. The content of the work is instead mainly derived from the daily emotional sphere that accompanies me.

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I know this is a bit cliché, but anything can trigger my imagination. Sometimes it’s a song, another piece of art, or something I touch. I try to figure out how I can reinterpret whatever the trigger was using my 3D software. Living in New York City I come across interesting things almost everyday and something I see will often trigger an idea.

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I am a very emotional human, lol, so all these emotions trigger a lot of stuff in my mind, With time I learned to convert them into art instead of more feelings that were causing me an emotional crisis.

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Born in Rio, Carolina Mizrahi is a photographer and art director based in London. One of the main themes in her work is color. “I think you can say a lot through colors. It's a powerful communication tool specially when aligned with other visual signs. I like to play with the different meanings associated with each color.”

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Italian photographer Cristina Coral’s images are not so much a reflection of a reality outside of us, but “come from the depths and mystery that is within each of us". The art of photography is about feeling, not seeing. Her view and way of working has already caught the eye of Vogue Italy and Maison Martin Margiela, and produced two gold medals at the 2014 Prix de la Photographie Paris.

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What started as a hobby during her archeology studies six years ago is now a full-time profession complete with a contract for American Vogue. A 100% self-taught photographer and self-proclaimed workaholic, Slovakian artist Maria Svarbova says she does not like complicated things. She is inspired “by normal people in normal life”.

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Born in 1981, Australian artist Ben Thomas IS fascinated by cities and urban spaces. He first shot to fame with his miniature railway-like images of Tokyo. His more recent series change our perspectives on city life by using color, light and flatness, thus making the real look very surreal indeed. A winner of the 2016 LensCulture Emerging Talents award, THOMAS recently completed assignments for The New Yorker, Sony and Penguin Books.

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Australian photographer and costume maker Gerwyn Davies stretches the boundaries of camp and fashion to explore the concept of identity. In his latest series Subtropics, he turns his eye to the hundreds of “Big Thing” monuments that lie scattered around Australia to mark tourist spots and entertainment parks: giant shrimps, pineapples, pies and koala bears. Here, in the all too realness of the absurd, his costume creatures suddenly seem a natural fit …

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Australian photographer Alice Hutchison was born and raised in one of Melbourne’s most diverse working-class neighborhoods; an inner city enclave of European and Middle Eastern migrants. Weekend walks presented a smorgasbord of sights and sounds that inspired her young, creative mind. For her latest collection, she drew inspiration from the neighborhood’s kitsch, industrial past, and borrowed props from shops and friends across the city to create “a suspended reality”.

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Under the title ICONS, LA-based photographer Parker Day portrays members of America’s modern day tribes. Urban freaks shown in bold colors, as if in an ad or a cartoon. Mind you, all is not what it seems. Partly staged, these portraits are often a combined effort between artist and model, celebrating originality and individuality, yet reminding us that a mask, any mask, is always but a mask.

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Born in a house of artists, Hugh Kretschmer did not waste any time in mastering his craft as a visual artist. From a very young age he harnessed his handiwork skills to create art, and consequently developed a very peculiar aesthetic. Never shying away from building his own sets and crafting his props, Kretschmer is one of those rare artists who has the freedom to recreate his vision with his very own bare hands, and the results are stunning. His imagery is surreal and yet grounded in thought-provoking social commentary, and his aesthetic is stunningly modern, despite its minimal digital enhancements.

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Reine Paradis burst onto the art scene with her “Jungle” photo series: a fascinating showcase of a chromatic world that blurs the line between reality and construct. From its conceptual stage, to its multi-disciplinary execution, the project’s roll-out is captivating from start to finish, and promises a very bright future for this visionary artist.

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